Monthly Archives: December 2014

Of Puerta Mariana and Early Photography on Paper in Mexico.

A few years ago we sold to a private collector a large format salt paper print of a view of the Palacio de Mexico. Recently, we saw in an important private Mexican collection one more copy of the same image (an albumen copy print) in the “Album Fotográfico de la Ciudad de Mexico” by Jules Michaud.

There is quite a few mysteries behind this photograph:

Palacio de Mexico, 1858. View of the National Palace from the north.

Photograph attributed to Désiré Charnay by the Getty Research Institute: Palacio de Mexico and dated 1858. View of the National Palace from the north.                                                                                         (

Palacio de Mexico, 1851. View of the National Palace from the north.

Palacio de Mexico, c. 1851. The same image, credited to Jules Michaud found in a private collection.

The photograph above is, more often than not, attributed to Désiré Charnay. However, we have found in Mexico one copy of the “Album Fotográfico de la Ciudad de Mexico”  that states the author was not Charnay but Jules Michaud.

One photograph, two credits. Who is the real author? And what about the date ?

We decided to do some research, here are our results:

  • During the first half of the XIX century, the National Palace looked damaged and forgotten, being in 1852 restored under the orders of Mariano Arista (President of Mexico from 15 January 1851 to 6 January 1853), opening a third door on the north side of the facade. This door, known as the Mariana Door, was named in honor of Mariano Arista. The military-style fortified tower on top of the door was not constructed until the mid 1860s. If we compare the photographs above with the ones below, we clearly see that the Puerta Mariana does not appear on the photograph in question at the beginning of the post. So this photograph can not be dated 1858, but BEFORE 1852! (
  • We know for a fact that Charnay first arrived in Mexico in 1857. The image above had to be taken at the latest in 1852, considering that the Puerta Mariana (illustrated below) was build during that year. Therefore, ruling out Charnay as the author…
Building la Puerta Mariana, Palacio de Mexico, 1851. View of the National Palace from the north. Photo by Julio Michaud.

Building the tower above the Puerta Mariana, Palacio de Mexico, c. 1865.  Photo by Jules Michaud found in a private collection.

Palacio de Mexico. View of the National Palace from the north.

Palacio de Mexico, with the Puerta Mariana behind the carriage, c. 1868. Photo by Jules Michaud found in a private collection.

  • On the other hand we know that Jules Michaud was active in Mexico City between the 1830s until the 1860s. He was a photographer, dealer in photographic stock, publisher of lithographs and bookseller. During that time he also sold photographic chemicals, and often made trips to Paris where he could have gotten the knowledge necessary to learn how to print on paper.

A big archive of Michaud’s works of art can be found at the Archivo Fotográfico Manuel Toussaint del Instituto de Investigaciones Estéticas, UNAM, Mexico City, but no paper negative is described.

The discovery that the picture has to be from 1852 at the latest, and that it is Michaud’s image, changes dramatically what we thought we knew about paper photographs in Mexico. Before Désiré Charnay and Pal Rosti’s arrival in Mexico in 1857 there are very few known images on paper; up until then they were almost all daguerreotypes.

This picture that we have attributed to Jules Michaud and dated prior to 1852 has a strong possibility of being the oldest photograph on paper from Mexico.

Paul Beer, 1936

Indio Motilone, Río de Oro, Colombia, 1936.

Indio Motilone, Río de Oro, Colombia, 1936.

We finally get a chance to post about Colombia…

We just acquired in Paris an unusual Paul Beer photograph. A hand-coloured gelatin silver print, it is signed, and dated “1936”.

We have been building for the last four years an important collection of Paul Beer’s ethnographic photographs, all of them dated from 1938 to 1939. The DiGiovanni-Beer expedition of 1937-1938 in the Colombian Amazonia and along the Orinoco river is well documented, and reproduced extensively in the few books about his work (notably in Paul Beer, la Silueta ediciones, Bogota, 2009). Beer made a second trip to the Amazon thought to be around 1940-1942, without DiGiovanni and with less resources; however, there are no dated documents to corroborate the exact dates of this exhibition. To our knowledge few images prior to 1938 are known…

Paul Beer arrived in Colombia in 1928. Little is known about is life and works until 1938.

The Rio de Oro, a tributary of the Catatumbo, runs in North-eastern Colombia, close to the Venezuelan border. The Motilone people, also know as Bari, inhabit the Catatumbo basin on both sides of the border. There is no mention of a trip to that area of Colombia by Paul Beer.

This photograph of the Motilone indian is very important when looking at Beer’s photographic work not only because of the date but because most of his ethnological work consisted on documenting the life of the Guahibo indians; taking portraits of them and photographing their customs, houses, and landscapes of the region (including the flora and rivers).

Paul Beer - Indio Guahibo, Tuparro (Vichada)

Indio Guahibo, Tuparro (Vichada), c. 1939.

Paul Beer - Indio Guahibo tomando moñoco - Vichada, c. 1939.

Indio Guahibo tomando moñoco – Vichada, c. 1939.